'No Other Land' scores with human story, mesmerizing cinematography, surprising cameos of law

A Palestinian-Israeli collaboration yielded the Academy Award-winning documentary No Other Land, which is well worth the price of admission.

No Other Land plays the Avon in Providence, R.I.
RJ Peltz-Steele CC BY-NC-SA 4.0

I disclaim: it was neither paroxysm of wokeism nor Oscar allure that drew me and my wife to an actual theater last weekend for No Other Land (2024) (IMDb). Rather, I was enticed by news that the film failed to secure mainstream distribution in the United States, for fear of protests, and, accordingly, that its debut at the independent O Cinema South Beach drew threats of retaliation.

I'm a sucker for a free speech story. That, and our favorite Indian restaurant is across the street from the independent Avon Cinema in Providence, Rhode Island. I did not expect No Other Land to live up to its Rotten Tomatoes perfect score. It did, and then some.

No Other Land is the product of four co-directors, Basel Adra, Hamdan Ballal, Yuval Abraham, and Rachel Szor. A Palestinian activist and Israeli journalist respectively, Adra and Abraham are featured in the film, which intimately depicts the slow battle between residents and the Israeli army over the villages of Masafer Yatta in the southern West Bank. The film covers 2019 to 2023, when Adra lived in Masafer Yatta and Abraham visited there to write about the army's destruction of homes in an effort to evict Palestinians from the land.

No Other Land does not try to relate other than the Palestinian side of the story. But it also doesn't try to hit you over the head as a polemic; I had been worried about investing 90 minutes in that vein. The beauty of the film—and it is beautiful, worth time in front of the big screen, despite the tragic subject matter—is in the depiction of human relationships in the face of profound adversity: within and between the families of Masafer Yatta, in how the Palestinians relate to Abraham as an outsider, and, at the heart of it, in the sometimes awkward but deepening friendship of Adra and Abraham.

Law figured in No Other Land in some surprising ways. On the face of it, the tragedy of Masafer Yatta was precipitated by Abu ‘Aram v. The Minister of Defense, a 2022 ruling of the Israeli Supreme Court, sitting as the High Court of Justice, green-lighting the eviction of Palestinian residents for the purported purpose of creating an Israeli military training zone. 

Notwithstanding realist accusations of naked partisanship, the court rested its ruling on the classification of the land, by prior agreement, as under Israeli security control. Civil society the world over decried the ruling as inconsistent with human rights law concerning occupied territories. For more, here's an informative commentary by Yaël Ronen, a law professor in Jerusalem, writing at the time for the West Point Lieber Institute's Articles of War.

Basel Adra and Yuval Abraham receive film award in Berlin.
Martin Kraft (photo.martinkraft.com) via Wikimedia Commons CC BY-SA 4.0

The law figured also into the story at the more intimate level. The film surfaced the fact, which I had not learned from any of the hype, that Adra trained as a lawyer, not as a filmmaker or journalist. Here is an exchange in the film between Adra and Abraham.

ABRAHAM: Nothing on mainstream news about the demolitions. As if it happened, but also, it never happened.

ADRA: We'll keep filming everything. And we have to think how to reach more people in different ways. That would be excellent I think.

ABRAHAM: Why are you on your phone all day?

ADRA: It's from stress. Stress, stress, stress.

ABRAHAM: You're afraid something will happen?

ADRA: Yes, but also I'm stressed because I have nothing to do.

ABRAHAM: What do you mean?

ADRA: I don't know.

ABRAHAM: What?

ADRA: What can I do besides being on my phone? Huh? I have nothing else, only my phone.

ABRAHAM: What would you like to do?

ADRA: Anything else.

ABRAHAM: But you studied law, can't you practice it?

ADRA: That's something I lost hope in. Students like me studied so hard for a law degree. But our economy is ruined. You can find work only in Israel.

ABRAHAM: What work?

ADRA: Construction. No other option. Like you never went to university. What do you think? If you were in my place, what would you think?

The scene captures the utter despair of Palestinians in Masafer Yatta. And at the same time, Adra smiles intermittently. His indomitable spirit is irresistibly charming.

The conversation is revealing, too, of a mesmerizing cinematographic device at work in No Other Land. Adra is on his phone a lot; the phone, in fact, or smartphone videography, almost becomes a character itself in the narrative.

There are two kinds of video in the film. First, there is smartphone video, often the very same clips that Adra and others upload to social media in the online battle of public relations playing out for the world. Second, there is the high-quality video of the movie camera.

Adra and other Palestinians, as well as Israeli soldiers and civilian authorities, are seen constantly wielding smartphone cameras. The film in fact is bookended with older personal video from Adra's childhood. In the conflict, Palestinians use their smartphones as witnesses, for example, announcing to a soldier, "I am filming," in an effort to deter violence. These videos bring raw and jarring urgency to the big screen.

At the same time, movie cameras never stop rolling, and for them, the fourth wall never breaks. When the smartphones are turned off, the movie cameras continue to capture the mundane but moving interludes that constitute life between exigencies: Adra left alone at night when Abraham drives off to the security of his home; the tears of a mother left to care for a dying son.

No Other Land is art and reality at once. It deserves its accolades, and it should be seen. If it tells only part of a story, so be it. It bears truths that must be reckoned with nonetheless if ever there can be a way forward in the Israeli-Palestinian conflict.

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Kadai chicken, Rupee Basmati Rice Lager, and chicken madras at Kabob and Curry, Providence, R.I.
RJ Peltz-Steele CC BY-NC-SA 4.0 with no claim to underlying mouthwatering presentation

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Geologist beats Section 31 to Guardian of Forever

Dr. Steven Mueller, the intrepid geologist and my personal friend, has located the Guardian of Forever.

 

On earth, at present, the Guardian is located in Oman, where locals know it as the "Rock of Wishes."

Dr. Mueller's timing is impeccable (as usual, for those who know him), given the recent wrap of Discovery and release of a trailer for Section 31, as Captain Philippa Georgiou has a unique history (1, 2) with the Guardian.

Photos © Steven Mueller, used with permission. Contact author for license.

Remembering peaceful times in Tyre

I'm saddened by the expansion of the war in the Middle East into Lebanon upon yesterday's attacks by Israel on Hezbollah. To be clear, I'm not (here and now) meaning to make a political statement nor favor a side. Rather, I am remembering time I spent in the south of Lebanon and praying for the safety of civilians I met there. In contrast with the latest images from Tyre (Reuters), I took this photo of kids playing at the Tyre Coast Nature Reserve in May of 2018. I wonder where these boys are now, as thousands flee the south of Lebanon for Beirut and points north. Photo by RJ Peltz-Steele CC BY-NC-SA 4.0.

Qatar drops beIN sport piracy claim as World Cup nears

Sideline interview with beIN
(Ronnie Macdonald CC BY 2.0 via Flickr)

Qatar withdrew its complaint in April in the World Trade Organization against the Kingdom of Saudi Arabia (KSA) over piracy of Qatari beIN Media Group sport broadcasts.

I wrote about this dispute in May 2020. A pirate outfit cheekily called "beOutQ" was rebroadcasting beIN content in the KSA without a copyright license. Riyadh disclaimed responsibility. But there was little doubt that the Saudis at least looked the other way, if not sponsored the piracy, as the two nations were locked in a tense diplomatic standoff and Qatar was isolated by a regional embargo. Read more background from James Dorsey.

Now World Cup 2022 in Qatar is focusing global attention on the Middle East. Neither nation stands to gain from negative publicity, least of all heightened attention to human rights issues (see Dorsey this week), so Qatar and the KSA are trying to work past their differences. They both joined a statement of the Gulf Cooperation Council signed at al-Ula after a summit in January 2021 (Middle East Institute analysis), and they have been working through the implications since. BeIN has broadcast rights to the World Cup, so setting to rest that piece of the dispute made the agenda.

Alyssa Aquino wrote further analysis of the Qatari withdrawal of the WTO complaint for Law 360 in April. The matter in the WTO was No. WT/DS567/11 (terminated Apr. 25, 2022).