My friend and colleague Helen J. Knowles-Gardner, formerly a political science professor and now research director at the Institute for Free Speech, along with co-author Professor Emeritus Bruce E. Altschuler and Professor Brandon T. Metroka, has published a gratifyingly compelling new book, Filming the First: Cinematic Portrayals of Freedom of the Press (Lexington Books 2025).
The engaging cover art was created by illustrator Doug Does Drawings (X, Etsy, Instagram, YouTube).
Here is the publisher's description of the book:
The First Amendment to the U.S. Constitution prohibits Congress
from abridging freedom of the press. But, as the printed press has been
transformed into mass media with Americans now more likely to get their
political information from television or social media than from print,
confidence in this important, mediating institution has fallen
dramatically. Movies, in their role as cultural artifacts, have long
reflected and influenced those public attitudes, inventing such iconic
phrases as “follow the money” from All the President’s Men and “I’m mad as hell and I’m not going to take this anymore” from Network. Filming the First: Cinematic Portrayals of Freedom of the Press analyzes eighteen films that span from Citizen Kane to Spotlight
showing changes in how the press have been portrayed over time, which
voices receive the most attention and why, the relationship between the
press’s “Fourth Estate” role and the imperatives of capitalism, and how,
despite the First Amendment’s seemingly absolute language, the
government has sometimes been able to limit what the public can read or
view.
I was privileged to review an advance copy of the book and am quoted aptly on the back cover:
Filming the First is a deeply thought-provoking exploration of America's cinematic engagement with "the press." Through the revealing social implications of the big screen, Filming the First interrogates press freedom from yellow-journalism sensationalism to Watergate and Vietnam heroics, to the existential threat of misinformation. Organizing eighteen films into ten thematic chapters, Filming the First embraces both classics and the avant-garde and treats readers to perspectives on mass media from the reverent paean to the ruthless critique. Knowles-Gardner, Altschuler, and Metroka locate their diverse film selections each in its social, cultural, and legal context. Upon each exposition, the writers relate key takeaways to the perils and uncertainties that surround the business of media in our polarized present day. Filming the First is a thrill ride for film buffs, free speech aficionados, and anyone willing to engage with the struggle to define media's place in modern democracy.
If I ever again have the freedom to teach an indulgent topical seminar, this book is at the top of my list.
Here is the table of contents.
Chapter 1. Censorship in a Time of War: Good Morning, Vietnam
Helen J. Knowles-Gardner
Chapter 2. A Media Mogul Battles Against His Fictional Doppelganger: Citizen Kane and RKO 281
Bruce E. Altschuler
Chapter 3. Heroic Newspaper Reporters, Editors, and Publishers Battle the President – All the President’s Men and The Post
Bruce E. Altschuler
Chapter 4. Technology Transforms the Press into the Media: Network and The Social Network
Bruce E. Altschuler
Chapter 5. “How Can We Possibly Approve and Check the Story…?”: Good Night, and Good Luck and The China Syndrome
Helen J. Knowles-Gardner
Chapter 6. Testing the Limits of Freedom: Denial and Deliberate Intent
Helen J. Knowles-Gardner
Chapter 7. Responsibility Matters: Shattered Glass
Helen J. Knowles-Gardner
Chapter 8. Creating Protagonists, Competing Interests, and Uncertain Legal Standards: The People vs. Larry Flynt and Citizenfour
Brandon T. Metroka
Chapter 9. A Tale of One Press Clause and Two Journalisms: Spotlight and Out in the Night
Brandon T. Metroka
Chapter 10. Mainstream Press Negligence and its Effects: The Normal Heart and Tongues Untied
Brandon T. Metroka
